Tag Archives: four

Pelicans, Winter Surf

Pelcans, Winter Surf
“Pelicans, Winter Surf” — A quartet of brown pelicans flies above raging winter surf off the California coast below San Francisco.

During last week’s extremely big surf we headed right over to the coast to witness and photograph the conditions. Waves were up to 30′ tall and even higher, and a winter “King tide” sent those waves right up onto the shore in many places. You might have seen news reports of damage to some coastal areas. While staying safe, we were able to get pretty close to the action on a drive between Santa Cruz and Half Moon bay, and we made quite a few photographs.

Most of the photographs were essentially seascapes — the watery equivalent of landscape images, featuring the shapes and colors and so on of the moving water. But as I made a series of photographs of this huge wave a line of pelicans flew through the frame, passing just above the raging surf.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Waiting for Sunrise

Waiting for Sunrise
Four people await sunrise in California’s Central Valley.

Waiting for Sunrise. © Copyright 2023 G Dan Mitchell.

Four people await sunrise in California’s Central Valley.

Waking up in the darkness, perhaps many hours before sunrise, strikes many people as being somewhere between barbaric and impossible. They literally cannot imagine themselves doing it, and perhaps they never have gotten up early enough to watch the first light appear. The odd thing is that most of us who do get up “that early” understand that the reward of watching sunrise makes the discomfort well worth it. In fact, it seems to us that NOT getting up for sunrise is the tragedy.

This was an exceptionally brilliant pre-sunrise experience, though it did not last long at all. In fact, friends of ours who arrived only a little later found the skies mostly gray. But the clouds in the east, leading out toward the Sierra crest, where as brilliantly colorful as I have ever seen them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Four Frames

Four Frames
Reflections, San Francisco

Four Frames. © Copyright 2022 G Dan Mitchell.

Reflections, San Francisco

For me, one result of carrying a camera around is that I often realize that things we barely notice often turn out to be unbelievably strange. Urban buildings can take on an entirely different look if you start to pay attention to the reflections in their windows — the abstract patterns of shapes and colors, the hallucinogenic distortions, and the bizarre juxtapositions. This is yet another example of seeing things for “what else they are.”

I think that writing too much about the background of this photo risks ruining its effect — so I won’t. I will say that it contains quite a few of the “juxtapositions” I mentioned above. Refusing to give in to temptation, that’s all I’m going to say!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Four Cranes in Flight

Four Cranes in Flight
Four lesser sandhill cranes in flight against blue sky.

Four Cranes in Flight. © Copyright 2022 G Dan Mitchell.

Four lesser sandhill cranes in flight against blue sky.

So often photography is about composition, controlling the relationships among elements within the frame —left and right, front and back, up and down, relationships among colors and luminosity levels, lines, curves, and all the rest. This is certainly the case when photographing from the tripod, and it is usually true even when shooting with a handheld camera. Even in situations when things happen quickly, we try to maintain some awareness of how the different elements fit together.

Then some birds fly overhead against a pure blue sky… and one just makes exposures. In the midst of photographing birds in the larger landscape, I realized that I was in a spot that groups of sandhill cranes were traversing, often nearly directly overhead. To some extent you take what you get in these situations, and you don’t have any control over the relative positions of the birds. But you do have some control, at least if you have been photographing birds for a while. Rather than just blasting away in burst mode — which is sometimes the only realistic strategy — you can watch the birds, track their movements relative to one another, and increase the odds a bit by timing the exposures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.