Tag Archives: kit fox

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Evening Dunes, Desert Mountains

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Evening Dunes, Desert Mountains
“Evening Dunes, Desert Mountains” — The day’s last light on sand dunes backed by the Kit Fox hills and base of the Grapevine Mountains.

What trip to Death Valley would be complete without at least one morning or evening wandering sand dunes and photographing them? Although this visit was focused on the ephemeral appearance of Lake Manly, I still found some time for more familiar subjects. On my final evening in the park I went to these well-known dunes just before sunset, planning to photograph the dunes, the lengthening shadows, the warm light, and distant desert mountains.

There are a lot of little bits of knowledge about these dunes that are useful if you are going to photograph them. Here the sunset light disappears a bit earlier than you might expect since long shadows move across the valley as the sun drops behind mountains in the west. There’s only a brief interval between very bright direct sun and the arrival of the shadows — so it is important to arrive earlier than you might think and to then be ready to act quickly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Light on Dunes

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Morning Light on Dunes
Morning light on sand dunes with distance desert hills in the background.

Morning Light on Dunes. © Copyright 2023 G Dan Mitchell.

Morning light on sand dunes with distance desert hills in the background.

The camera position for this photograph is very close to that of a previous dune photograph I shared here — one made a few minutes before sunrise when the light was soft and the colors still subtle. What a difference a few minutes can make at this time of the morning, a time when light evolves with incredible speed! I made this photograph a few minutes later, after the sun rose above the mountains to the east and not long before the saturation and intensity of the first light began to fade.

I’ll use this photograph to note a fact about dunes that might surprise some visitors. If you have been out there in a sand storm it is easy to imagine the dunes blowing along like wave on the sea. The analogy isn’t entirely wrong, but the big surprise is that most major dune features don’t move much at all. I have photographs from here made years apart in which the same dunes are in the same locations and have the same outlines.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Kit Fox Hills, Amargosa Range

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Kit Fox Hills, Amargosa Range
Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

Kit Fox Hills, Amargosa Range. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

These low, deeply eroded, and colorful (in the right light) Death Valley hills lie at the western base of the Amargosa Range near the start of the road heading north toward the Scotty’s Castle area. I recently read that they may be the remnants of an old earthquake fault along the eastern side of Death Valley, marking a division between the rising mountains and the sediment-filled valley. I have walked along the base of these hills, though I still need to find the time to more extensively explore their rugged and eroded landscape.

Late in the day they intercept almost the very last sunlight to reach the valley floor before sunset. With that in mind, I have photographed them many times, often from a good distance away across the valley. That was the case on this evening, when I found a spot elevated above the valley floor and climbed to its summit to watch the late-day light. It was one of those evenings when the light was unpredictable. There were clouds to the west above the Cottonwood mountains, which can turn out to be either a good thing or a bad thing. The clouds may light up at sunset and the minutes just after… or they may simply block the sun and “turn out the lights” on sunset photography. It looked like the latter might turn out to be the case as I watched the sun descend toward a band of thicker clouds. But there was a small gap between the base of the clouds and the top of the mountains, and the sunlight shone through this gap for a few minutes, casting beautiful soft light on these hills.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Kit Fox Hills

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Kit Fox Hills
Evening light on the Kit Fox HIlls, Death Valley

Kit Fox Hills. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening light on the Kit Fox HIlls, Death Valley

This photograph was a bit of a lucky catch. I had gone to an elevated location where I had a more commanding view of a wide section of Death Valley, but late-afternoon clouds had drifted in above the Cottonwood Mountains to the west and the light ranged from filtered to “blah.” I try to “read” the clouds to predict what may come, and my reading on the conditions was that a small gap between the bottom of the cloud bank and the top of the mountains would produce a brief bit of good light just before the sun dropped beyond the peaks. These predictions don’t always pan out, but this one did. The light first appeared a great distance away at the upper end of the valley, but soon worked its way south across the Grapevine Mountains and then flowed across the low Kit Fox Hills.

I’ve been intrigued by this small row of furrowed hills for a long time. Their coloration and patterns let them stand out from the less differentiated material of the washes above and below them. I did a bit of reading about them during this recent trip, and I understand that they are a remnant of a very old earthquake fault along the west side of the valley. (There are fault zones along the sides of Death Valley, separating the rising mountains from the valley, which is largely filled with material washed down from the mountains.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.