Tag Archives: light

Meadow, Forest, Evening Light

Meadow, Forest, Evening Light
Soft evening light and haze illuminate a meadow clearing with silhouetted trees

Meadow, Forest, Evening Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Soft evening light and haze illuminate a meadow clearing with silhouetted trees

It was late on a clear winter day, and I found myself in Yosemite Valley, in an area of trees and meadows. My first objective was group of riverside trees that were catching the early evening light coming up the Valley from the west. Soon the cliffs along the north side of the Valley cast shadows across these trees, so I moved on, following the shadow-sun line to the southwest as I crossed meadows.

Ahead a row of trees cut across the meadow along the route of a trail. A management fire was burned a bit to the west — incinerating trees that died in the drought of the past few years — and the smoke drifted, producing a gentle haze in the evening light. I found a break in the trees, with a meadow and back-lit trees on the far side, and above more trees fading into the haze toward faint cliff silhouettes. I made a quick series of exposures, and then then light was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Granite Cliffs, Last Light

Granite Cliffs, Last Light
The line of last sunset light crosses rugged granite cliffs in Yosemite National Park

Granite Cliffs, Last Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

The line of last sunset light crosses rugged granite cliffs in Yosemite National Park

Late last month I had the good fortune to spend a week in Yosemite, thanks to the Yosemite Renaissance artist-in-residence program. Their generosity provided me with a warm place to stay in the park and, most important, with time to chase photographs in the Valley and elsewhere. (With the onset — finally! — of winter weather in the park, it also gave me lots of opportunities to practice my winter driving skills!)

The Valley is, of course, filled with wonderful and well-known icons. Like virtually everyone, I photograph those, too, particularly when special conditions bring the possibility of special and different light and atmosphere to those familiar subjects. However, over time I have become more interested in other little bits of visual interest that don’t necessarily reflect the best-known features. On this evening I was at one of the most famous locations — with the promise of light snow, drifting clouds, and evening light breaking through. I make a habit of scanning the entire 360 panorama around me, even when the most obvious subject is in a 45 degree vector straight in front, and near the very end of the day a beam of sunset light passed across a rocky outcropping to my left, producing intense light on the rocks while the evening’s blue and purple colors began to fill the canyons.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dead Trees, Clearing Storm, Sunset

Dead Trees, Clearing Storm, Sunset
A winter storm clears to sunset light above forest of dead trees

Dead Trees, Clearing Storm, Sunset. © Copyright 2018 G Dan Mitchell – all rights reserved.

A winter storm clears to sunset light above forest of dead trees

The Sierra Nevada has been under stress for the past dozen years of so. (Technically speaking, some of these stresses have been building for longer than that, but the effects have become acute more recently.) Much of this is related to outlier weather/climate conditions and the secondary effects they have caused. The range has become much warmer. There are well-documents studies tracing the rising elevations of species of plants and animals adapting to this change. Recently the range has also experience some virtually unprecedented (at least in historical times) dry conditions, with a five-year period of tremendous drought broken by last years record precipitation, and then followed by what looks to be another very dry year this season. (We are getting some late rain, but not likely enough to make up for very dry December and February periods.) All of this affects forests it many ways, though two are obvious. The Sierra has always experienced wildfire, but recent fires have been extremely intense, going beyond the natural “pruning” effect to utterly destroy whole forests, and the areas affected by this destruction are huge. And in the wake of the drought conditions, beetle infestations have killed of tens of millions for trees.

This destruction is plain to see, and especially so to those of us who have visited the range for many decades. I sometimes imagine that new visitors driving through some denuded areas simply assume that this is “how it is” there, but others of us recall passing through deep forests in those places. As all of this has unfolded, I’ve tried to find beauty in such places — and it is there to find. These snags are on the side of a ridge, perhaps at the 5000′ level or so, on slopes facing west toward the foothills and the Central Valley beyond. It was snowing on this evening in the mountains, but I was near the western edge of the storm, and near sunset the snow diminished and the clouds thinned, and sunset light began to light the remains clouds and precipitation from behind, silhouetting these trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Light, Granite And Snow

Winter Light, Granite And Snow
Winter sunset light on a granite face and distant mountains fade into falling snow

Winter Light, Granite And Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter sunset light on a granite face and distant mountains fade into falling snow

I spent the last week in Yosemite National Park, as an artist-in-residence sponsored by Yosemite Renaissance. (Thank you!) I stayed in the Wawona area and made the drive to the Valley every day. It was wonderful to have a full week in the park and, especially, in the Valley. I spend a lot of time in Yosemite, but most of it is in the high country during summer and into the beginning of fall, so having this unbroken block of time in winter was a special treat. Making it even better, I got some weather luck. Recently California has again been in drought conditions, and last month we had record high temperatures that often felt more like spring or even summer. But I arrived to find cold (at times very cold) conditions, and a series of weak cold fronts brought snow to the Valley.

If I recall correctly, I had spent much of this afternoon photographing in the eastern part of the Valley, and as the weather closed in the light there began to die. I finished up my work in that area and prepared to depart for Wawona, but leaving enough to time to stop along the way should interesting light appear. In fact, further to the west the skies were trying to clear, and intermittent light made its way through breaks in the clouds to spotlight various areas. I stopped here and waited a few minutes, at which point almost the very last light of the day cut across the edge of the El Capitan monolith as the snow storm closed in on the upper Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.