Tag Archives: point

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Wood and Stones

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Wood and Stones
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.

The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.

I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountain Ridges

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Desert Mountain Ridges
“Desert Mountain Ridges” — Layes of desert mountain ridges stretch to the east, Death Valley National Park.

This is one of those “photograph the thing you did not go for” photographs, seen while mostly focusing on an entirely different subject. I was in Death Valley partly because I go there every year at about this time, and partly to photograph the rare reappearance of Lake Manly. (This lake reformed following heavy rains in the desert starting late last summer.) On this morning I went to a point high above the valley to photograph the broad setting of the lake and to use long lenses to isolate details. But the lake is nowhere in this photograph…

… because this scene was in the opposite direction! I arrived well before sunrise, and while I waited for some of that sun to arrive in the valley the horizon to the east put on a spectacular show. Obviously the pre-dawn sky was impressive with its intense and varied colors. But the vast area visible from this point produced beautiful atmospheric recession over the layered ridges stretching into the far distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Arch, Bridge, Big Sur Headlands

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Arch, Bridge, Big Sur Headlands
“Arch, Bridge, Big Sur Headlands” — The ocean meets the rugged Big Sur coastline with an arch, a bridge, surf, fog, and coastal headlands.

One more time, this subject from the upper Big Sur coast is one that I shared last week… and last year… and perhaps almost every year before that. Yes, I’ve been stopping to photograph here for years. Each time I tell myself, “OK, you are done with this scene now.” And almost every time I pass that way again I end up stopping. And I frequently find that the atmosphere has changed to present some new way of seeing it.

This visit was on a late-February morning. The surf was large, but not monumental. Yet it was enough to combine with thinning fog to produce a luminous haze along the edge of the water. This haze was gently illuminated by the morning sun rising above the coastal mountains, and its light arrived on the flat headlands at the left just as I arrived.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Morning Fog, Pacific Coast Highway Bridge

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Morning Fog, Pacific Coast Highway Bridge
“Morning Fog, Pacific Coast Highway Bridge” — Morning fog over the ocean and rugged rocks near a Pacific Coast Highway bridge.

I have a long relationship with this spot. I have photographed here for two decades. I recall the first time — I went to this part of the coast with a new long lens, ended up here more or less by accident, and the new lens was exactly the one I needed for the subject. Since then I have photographed it in all conditions — morning, midday, evening, fog, clear skies, sunset.

The main features in the scene remain the same, but the mood undergoes remarkable changes. In some of my photographs the details are much clearer than in this one, while in others the coastal fog almost completely obscures them. On this morning thin fog became luminous in the early light as the sun rose above the mountains of the Big Sur coastline.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.