Tag Archives: recession

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountain Ridges

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Desert Mountain Ridges
“Desert Mountain Ridges” — Layes of desert mountain ridges stretch to the east, Death Valley National Park.

This is one of those “photograph the thing you did not go for” photographs, seen while mostly focusing on an entirely different subject. I was in Death Valley partly because I go there every year at about this time, and partly to photograph the rare reappearance of Lake Manly. (This lake reformed following heavy rains in the desert starting late last summer.) On this morning I went to a point high above the valley to photograph the broad setting of the lake and to use long lenses to isolate details. But the lake is nowhere in this photograph…

… because this scene was in the opposite direction! I arrived well before sunrise, and while I waited for some of that sun to arrive in the valley the horizon to the east put on a spectacular show. Obviously the pre-dawn sky was impressive with its intense and varied colors. But the vast area visible from this point produced beautiful atmospheric recession over the layered ridges stretching into the far distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Morning Haze

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Desert Mountains, Morning Haze
Morning haze obscures the details on a series of desert mountains, Death Valley National Park.

Desert Mountains, Morning Haze. © Copyright 2023 G Dan Mitchell.

Morning haze obscures the details on a series of desert mountains, Death Valley National Park.

This is another serendipitous photograph, and if you compared it to many of the other photographs I made at this location you would never guess that they came from the same place, same time, and same conditions. I was there to photograph dawn light on some nearby geological features. Dawn arrived with beautiful saturated light and clear air. When I finished with that I turned around to face the rising sun… and found the landscape’s details almost obliterated by the glowing, back-lit haze.

I’m not sure what, exactly, typifies a “typical” Death Valley photograph — but I know that these conditions were somewhat unusual. The haze made the successive hills fade into the distance, and the foreground area with the clearest details was in shadows. In the end, I think it has a mood that is different from any of my other photographs from Death Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Morning Clouds

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Desert Mountains, Morning Clouds
Haze mutes the details of desert mountains topped by morning clouds, Death Valley National Park.

Desert Mountains, Morning Clouds. © Copyright 2023 G Dan Mitchell.

Haze mutes the details of desert mountains topped by morning clouds, Death Valley National Park.

This photograph is the result of one of those “look what’s behind you!” moments. I was at a location where I had previously scouted sunrise subject. I arrived early, set up, and photographed that subject in the light that I had hoped for. Once finished, I paused to look around. In the opposite direction I saw this series of back-lit formations leading away toward the cloud-crested peak. It was time to rotate the camera on the tripod and work this subject, too!

Haze can be the photographers’ friend or foe in Death Valley. It often cannot be avoided photographs made across any sort of distance — and sometimes the distances in this park are huge. The haze may be an impediment a clear view of a distant mountain range. But it also can produce a lovely atmosphere if the conditions and light are just right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastal Bluffs, Clearing Fog

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Coastal Bluffs, Clearing Fog
A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

Coastal Bluffs, Clearing Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

The quality of the Big Sur coast is, I think, the sum of a lot of contributing factors. As you drive south (my usual direction of approach, as a San Francisco Bay Area resident), the expanse of the Pacific Ocean extends to your right, and it may be brilliantly lit, completely fogged in, full of storm clouds, or just plain blue. Because the route alternately drops to the water level and climbs up above the headlands, this view expands and contracts. Surprisingly, it can be quite warm here, especially when the fog clears on a summer day and the road climbs. Views may be intimate as you pass through forested sections and around tight turns, or they may stretch to the horizon and far to the north and south.

On this mid-summer visit remnants of fog were still dissipating as I passed through. In places it sat thickly on hilltops, while elsewhere it had cleared and the light was brilliantly bright. This view appeared as I began my descent from one of the high places, and the top of the coastal inversion was clearly visible.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.