Tag Archives: red

Dawn Clouds, Reflection

Dawn Clouds, Reflection
Dawn light on clouds, reflected in a wetland pond

Dawn Clouds, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dawn light on clouds, reflected in a wetland pond

Sometimes the morning world surprises you. This was one of those times. I went to this place hoping that I might be ahead of an incoming weather front that was approaching from the northwest, but as the first light began to glow it was clear that I was going to be under the clouds. They covered almost the entire sky and promised to produce pretty gray conditions.

However, I did notice a very thin opening far to the east, between a mountain range and the far edge of the cloud shield. This is a condition which can, somewhat ironically, produce a brief burst of spectacular color right at sunrise (or sunset, if the break is in the west) that can be truly stunning. Basically, against a backdrop of largely dark conditions, the light will briefly shine upwards onto the clouds just as the sun reaches the horizon, sometimes producing some of the most intense light you’ll see — though the effect typically lasts only a few minutes and then the “lights go out” again quite quickly. On this morning I was next to a shallow body of water, so the show was twice as good — the colorful sky was reflected on the surface of that post.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fractured Rock

Fractured Rock
Detail of a fractured rock wall in the John Muir Wilderness

Fractured Rock. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a fractured rock wall in the John Muir Wilderness

There are quite a few “photographer jokes” that you’ll hear if you hang out long enough with these folks. (I should make a list sometime!) Some of them come up in answer to the common question, “What did you photograph?” (A variation on, “What are you photographing?” and not totally unrelated to, “Did you get anything good?”) In a lot of cases, when asked the “what did you photograph?” question, you have choices: given a long answer (often the truest response) and make your questioner wish they hadn’t brought it up, give a very short superficial answer, or make a joke. One joke answer among some folks I know and sometimes photograph with is a cheery, “Rocks, water, and trees!”

If you have been watching recent photographs from this location in the Eastern Sierra Nevada, you may be forgiven for noting that in some cases I seem to have been reducing the subjects from “rocks, water, and trees” down to the minimal, “rocks…” This is — obviously! — one such example. It is the sort of thing that most folks would probably not see, since it wasn’t in an obvious place and is in a location where you could easily walk past while looking at other, larger things. But I wasn’t looking for the obvious, at least not only for the obvious, so I stopped here and poked around a bit, discovering a small section on a larger rock fact where the remnants of an old layer of pink rock were gradually breaking away from the underlying gray material. One more thing — when I make a photograph like this one, focusing on some compositional aspect of some small and non-iconic thing, I often think of the photographs of Mike Osborne, one of the original “First Light” photographers and a person with a unique and wonderful way of “seeing” the Sierra Nevada landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red Door, Paris

Red Door, Paris
A red door in the Le Marais area of Paris

Red Door, Paris. © Copyright 2018 G Dan Mitchell – all rights reserved.

A red door in the Le Marais area of Paris

On this summer’s visit to Paris we stayed along the edge of Le Marais, in an area not far from the Seine, transportation, and the Centre Pompidou. The latter was on our list of places to visit this time, and on this morning we were walking into that area when we passed through this neighborhood of old buildings and narrow streets.

I don’t suppose there is a whole lot to write about (another!) photograph of a colorful door on an old building — after all, it is a bit of a “type.” One thing that did intrigue me about this little scene was the clear attempt to add something approximating nature to this very urban setting… though apparently not with complete success judging from the condition of some of the potted plants.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Yellow Trees, Red Brush

Yellow Trees, Red Brush
A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face

Yellow Trees, Red Brush. © Copyright 2018 G Dan Mitchell – all rights reserved.

A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face

I’m far from the first person to photograph this little group of trees, backed by a rough granite and standing among smaller plants that turn a deep reddish color in the fall. Given that these trees are just a few of many thousands standing near this spot, it still surprises me to see them photographed — and recognizable! — among so many other trees. They aren’t hard to see, but they aren’t exactly obvious either, and there are a few factors that might lead to them being passed without stopping.

If anything, it is probably the short, reddish undergrowth that contributes to their visibility — there are trees like these all over the Sierra, but most are not set against rocks and the red plants like this. I photographed the little scene when the area was in shadow — often my favorite light for aspen photography. This light is softer and it tends to fill the shadows, making the effect less stark.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.