Tag Archives: route

Beach, Evening Surf, Big Sur

Beach, Evening Surf, Big Sur
Wnter surf rolls onto a Big Sur coastline beach at sunset.

Beach, Evening Surf, Big Sur. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter surf rolls onto a Big Sur coastline beach at sunset.

The Big Sur coastline, along the Pacific Coast Highway between San Francisco and Southern California is — not a secret! — a spectacular place. It is also a place of contrasts — between land and sea, between calm summers and stormy winters, between wild surf and quieter times. A week ago I visited during high surf, with waves of up to forty feet high battering the shoreline. This time, as we took the look route back north from Los Angeles, the ocean was quiet.

Since we were driving through and photography wasn’t my primary reason for being there, we took the scenery as it came. During the final hour of daylight I began to think about finding a spot to stop and photograph the last few minutes of light. With ten minutes to spare we came around a headland and I saw this familiar scene of coastal mountains and bays extending to the north, with the Pacific Coast Highway (and one of its famous bridges) dwarfed by the landscape. I quickly found a spot along the edge of the bluff to set p my tripod, and I had a few minutes to photograph gentle evening color and coastal haze before an offshore cloud bank “turned out the lights.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Headlands And Mist

Headlands And Mist
Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Headlands and Mist. © Copyright 2018 G Dan Mitchell – all rights reserved.

Strong late-autumn surf raises clouds of mist above rocky headlands along the Big Sur coast.

Today I continue with photographs from my visit to the upper Big Sur coastline in the middle of December, on a day when distant Gulf of Alaska weather fronts were sending giant surf crashing against the beaches, sea stacks, and cliffs. This is perhaps my favorite set of conditions for California coastal photography — a clear, post-storm day with giant surf that raises a layer of mist along the shoreline. When I see reports of such conditions I try my best to get over there quickly!

On the drive down, even as I passed Monterey Bay I could see the effects on the water. Waves in the bay didn’t seem unusually large, but off in the distance I could see the land at the northwest end of the Monterey Peninsula where gigantic white breakers created a line against the horizon. Once I got south of Carmel and right next to the coast the picture was even clearer, and I soon stopped on a bluff to get “up close and personal” (but from a safe spot) with the show. I made this photograph a bit further south in a spot that I’ve photographed many times. Here there is a view across several rocky ribs at the water’s edge and on to a taller hill beyond — and I know this as a spot with great potential for surf and light and for raising clouds of spray and mist.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Panamint Valley, Wash

Panamint Valley, Wash
A large desert wash curves towards the Panamint Valley

Panamint Valley, Wash. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A large desert wash curves towards the Panamint Valley

I always associate this view, of this canyon and the valley and mountains beyond, with leaving Death Valley. For many years I always access the park via the road up from Ridgecrest that passes through the desolate town of Trona, coming up the Panamint Valley before entering the park, either over Towne Pass or via Emigrant Pass and Wildrose Canyon. At some point I decided to take what I later determined to be the route favored by many other visitors, route 190 across to highway 395 at Olancha near the dry desolation of Owens Lake.

This view lies along that route. Shortly after leaving Panamint Valley the road passes up a bit of a canyon, crosses a ridge, and then tracks along the slopes paralleling this wash that runs out into Panamint Valley. The wash itself has a beautiful quality, curving gracefully around toward its arrival in the larger valley between the two dark, rounded hills. Across the Panamint Valley, at the base of the far mountains, there are sandy stretches which develop into full-blown dunes just a bit to the left of the area shown in the photograph. On this morning a weather from was coming in, producing some dramatic clouds above the Panamint Range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sierra Forest, Morning Light

Sierra Forest, Morning Light
First morning light arrives in dense Sierra Nevada forest

Sierra Forest, Morning Light. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

First morning light arrives in dense Sierra Nevada forest

Spend enough time somewhere and you begin to develop surprising relationships with surprising little places that perhaps no one else would even notice. Since I’ve been going to the Sierra for decades, I’ve had plenty of time to find my own “little places” and to begin to understand and value this. Some decades ago, when my backpacking experience became extensive enough that I often found myself back at places that I had previously visited, I was surprised to discover that particular rocks (like one at a high country lake where I often set up my camp kitchen, or another where I once sat and watched a storm blow in), creeks (such as one near 11,000′ in the southern Sierra where I have camped alone and with friends), trees (such as the one we discovered decades ago on a trip with kids, shortly after it had been blasted apart by lightning), and others acquire a quality of old, familiar friends.

This little bit of forest has become one of those places. It is not quite in the “back-country.” In fact, it is a scene that I drive past on my way to other places. But a few years ago it caught my attention and I began to inspect it every time I passed by, sometimes stopping to look more closely. I cannot quite articulate why or how it is that this bit of forest became “mine,” but it did. I was camped nearby on this morning and had gone out to look for light when I remembered the spot and arrived just as the first direct morning sunlight was beginning to enter the grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.