Tag Archives: sf

Waiting For Transit

Waiting For Transit
People await their ride at a San Francisco light rail station.

Waiting For Transit. © Copyright 2021 G Dan Mitchell – all rights reserved.

People await their ride at a San Francisco light rail station.

Perhaps you already knew that I made this photograph a few years ago — it is in San Francisco, it is at a transit stop… and no one is wearing a mask! You wouldn’t find that combination today. (That’s one reason that the San Francisco Bay Area has among the lowest infection rates in the country, but I digress…) I made the photograph on one of my photography days in San Francisco, which tend to follow a familiar pattern: Up well before dawn, catch a train to the City, arrive around sunrise, spend the morning wandering on foot and photography, then take the train back home my mid-afternoon. San Francisco is a very walkable city, and you can cover a lot of ground there on foot.

Recently I had the pleasure of giving a talk on street photography to a somewhat surprising group, the photography section of the San Diego Chapter of the Sierra Club. That’s not your typical topic for this group, and I was aware that there might be some skeptics. My premise is that doing street photography (and other kinds of not-nature photography) can make you a better photographer, and that the benefits can accrue to your nature photography, too. I can’t recreate the entire talk here, but this photograph embodies a few key ideas. First, it takes advantage of a very local photographic opportunity, so I can photograph even when I can’t travel to lovely, far away, natural places. Second, it treats the street as a kind of urban landscape, occupied by “human wildlife.” In fact, I often construct photographs like this one by first finding the “landscape” and then waiting for passers-by to populate it. Third (and final for now) photographing these local subjects is good “practice” that keeps my ability to see photographically tuned up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pedestrian Landscape

Pedestrian Landscape
A few through upper story windows toward street level pedestrians and geometries.

Pedestrian Landscape. © Copyright 2021 G Dan Mitchell – all rights reserved.

A few through upper story windows toward street level pedestrians and geometries.

This is one in a series of photographs from this spot and of this scene, mostly made on this visit to San Francisco, though there are a few made on other dates, too. The photograph is, obviously, made from a location up high in an urban building — high enough that it was possible to get a nearly vertical perspective on the street below.

There are a few things going on here that were interesting to me as I photographed. I’m photographing through the tinted glass of a modern building. Recently I’ve been interested in the effects of glass on iight and subjects in situations where its presence isn’t obvious. Here it lens an unusual, cool tone to the colors of the scene. As I photographed small numbers of people passed by on the sidewalk. It was interesting to watch their interactions as they approached and passed on another. In addition, from this perspective things in the scene that would ordinarily be almost invisible become central, especially the various kinds of geometries throughout the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

In The Urban Canyon

In The Urban Canyon
A wall of tall buildings in downtown San Francisco.

In The Urban Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

A wall of tall buildings in downtown San Francisco.

Keeping with the “canyon” theme of so many recent posts — but with an entirely different sort of canyon — this is a photograph from downtown San Francisco that I made on one of my regular walks through the City. You could find this scene if you walked down the central Market Street that connects the center of the City with the Ferry Terminal.

I have previously written about how I can connect the ways I photograph the wild landscape to how I see the urban landscape. One of the most direct relationships might be between the deep and narrow canyons of Southern Utah and these deep and narrow canyons in urban downtown areas. In both cases, there is not that much direct light in the lowest levels aside from the middle of the day or when the sun aligns with the length of the canyon. Consequently, understanding reflected light is very important in these places.( In addition to the usual diffused light in the depths of wilderness canyons, the urban versions often feature direct reflections from windows, which can sometimes light a subject from more than one angle.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Spring in the Urban Forest

Spring in the Urban Forest
A tree with new spring growth in downtown San Francisco.

Spring in the Urban Forest. © Copyright 2012 G Dan Mitchell – all rights reserved.

A tree with new spring growth in downtown San Francisco.

Here is another momentary detour away from the natural world and to the urban landscape, this time in San Francisco. I made the photograph on a spring day when I found branches with new leaves along this highly urban street, a place where it is possible to frame a photograph so that every single element is constructed by humans. But even here, spring cannot be held back.

These metal, concrete, and glass canyons are a landscape just as much as any red rock or granite canyon. It is possible to apply the same ways of seeing (at least to some extent) to both sorts of subjects. One of the features on this scene that always seems remarkable to me is the reflections. The largest area of what you “see” in the photograph does not consist of the actual objects in the frame, but rather of the ephemeral reflections of other objects on their surfaces.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.