Tag Archives: stacks

Pacific Coast Highway, Headlands

This landscape that reminds me that change is the rule. It invites all sorts of questions. How long ago were those sea stacks part of the mainland? How long until the cliff-edge trail I’m slips into the ocean? Where will the next route-closing landslide occur? The dynamism of the landscape is clearly present here.

This time I visited for a few hours on a late-winter morning. The skies were mostly clear along the coast, as is common here between storms, but there was scattered fog and everywhere there was mist, from both the clearing fog and from ocean spray. Early in the morning the sun is blocked by coastal mountains, but as it rises its light angles down among these headlands.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Grove Above the Surf

Grove Above the Surf
A small grove of old trees above the surf and silhouetted against the fog-muted shapes of coastal hills, Big Sur Coast.

Grove Above the Surf. © Copyright 2023 G Dan Mitchell.

A small grove of old trees above the surf and silhouetted against the fog-muted shapes of coastal hills, Big Sur Coast.

This grove of trees sits on the edge of a bluff overlooking the Pacific Ocean along a popular section of the Big Sur Coast. In most cases, I have usually regarded it as a bit of an obstacle, as I have to sort of work around it to photograph certain features in the area. (In fact, I also sometimes have to “work around” a small herd of cattle that sometimes grazes in the foreground meadow!) On this visit I decided to turn the tables and make the trees the subject.

This was an interesting day, and photography was at times a bit challenging. I visited during a one-day break in the string of atmospheric river storms that hit California between late December and January, and I managed to squeeze in a single morning of photography here. Damage from the storms was easy to find, with landslides and road repairs along the way. But on this morning occasional sun broke through the high overcast and made the thin fog luminous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Headlands and Sea Stacks

Headlands and Sea Stacks
Steep headlands and sea stacks along the rugged Big Sur coast, California.

Headlands and Sea Stacks. © Copyright 2023 G Dan Mitchell.

Steep headlands and sea stacks along the rugged Big Sur coast, California.

In several ways, though not all, this was the best kind of winter day to photograph along the Big Sur coast. Recent storms had complicated access just enough to keep the crowds away. The lingering moisture softened the atmosphere and light. The surf was up. I stopped at a few of the usual places, but also found a few new overlooks. This is the second time I’ve been to this specific spot, and the conditions were different each time.

The scene is full of elements of a “typical” Big Sur coast photograph. Steep headlands running into the ocean? Check. Sea stacks just offshore? Check. The ever-present horizon? Check. Surf? Check. A bit of mist or fog? Check. Perhaps add a stop at the Big Sur Bakery along the way, and all of the pieces are in place!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sea Stacks and Bluffs, Fog

Sea Stacks and Bluffs, Fog
Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Sea Stacks and Bluffs, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Because I am fortunate to live close to some rather famous places I often find myself at certain photographic icons. Over time I have developed an odd relationship with such places — a sort of love/hate relationship. I recognize why they have become icons, and acknowledge that in many circumstances they are truly amazing places, locations that any visitor to these various parks and other locations will want to see. But over a long period of time two things changed in my thinking about them as a photographer. First, there are so many photographs of such locations that it is probably not a good use of my time to rephotograph them. (To new photographers, it certainly can be a good exercise to photograph them, if for no other reason that to think about how the great photographs of these places were made.) The second change is that, to a certain extent, they start to seem less special.

I have written before about, for example, how I most often drive past the famous tunnel view in Yosemite without even stopping. (I’ve also written about a memorable occasion when witnessing someone else’s reaction to seeing this view for the first time reminded me of what an astonishing thing it is.) Because I have visited the Big Sur coast for decades, I’m less and less inclined to stop for icons… and I’m more likely to stop at random, odd turn-outs just to see what new thing I might find. But this week as I drove past this spot and looked to my right the combination of blue water, drifting fog, and thin light on the foreground rocks persuaded me to quickly pull over and photograph this… icon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.