Tag Archives: structures

Consonance and Dissonance

Consonance and Dissonance
Structural elements at the High Line Park, Manhattan

Consonance and Dissonance. © Copyright 2023 G Dan Mitchell.

Structural elements at the High Line Park, Manhattan

Taking a cue from the music-related title of this photograph, I suspect you may have noticed that my photographs cover a wide range of subjects. When people ask me “what I photograph,” probably expecting a short answer like “landscapes” or “portraits” or “street,” there can be an awkward moment while I consider how to answer. I don’t photograph just one thing… any more than a composer would choose to write only, say, minuets. There is more than one thing to express, so more than one approach is necessary. If anything, my photographs are about… how I see the world photographically.

I won’t try to explain the entire “consonance and dissonance” connection here, except to point out that these terms have multiple meanings. One basic idea is that something is consonant in music if it “sounds nice” and “dissonant” if it doesn’t. But a more interesting idea relates to something that seems static and “settled” (consonance) versus something that seems restless and striving (dissonance). Taken one step further, the tension created by dissonance often propels us toward consonance… and consonance can resolve that tension.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Windows, Florence

Three Windows, Florence
Three windows with green shutters on a weathered wall in Florence, Italy

Three Windows, Florence. © Copyright 2023 G Dan Mitchell.

Three windows with green shutters on a weathered wall in Florence, Italy

This is one of the most prevalent color combinations we saw in Italian towns this past summer — the variations on golden-brown (which can range from essentially tan to dark brown) and the green shutters. I’m sure that not all of the shutters are actually green, but on some days it seemed so. And while I’m listing the typical things, the distressed wall surface needs to be included, as that is very common, too.

The three windows were on a nondescript building in Florence, on a side street a ways away from the bustling center of the touristy historic district. Here the streets were almost empty, and we wandered slowly among buildings, a small park, and portions of a university campus. I like the combination of the symmetry of the three windows with the distances of the open window at the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Perpendicular

Perpendicular
Blue wooden doors with former windows filled by painted wood panels.

Perpendicular. © Copyright 2023 G Dan Mitchell.

Blue wooden doors with former windows filled by painted wood panels.

Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.

I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Four Frames

Four Frames
Reflections, San Francisco

Four Frames. © Copyright 2022 G Dan Mitchell.

Reflections, San Francisco

For me, one result of carrying a camera around is that I often realize that things we barely notice often turn out to be unbelievably strange. Urban buildings can take on an entirely different look if you start to pay attention to the reflections in their windows — the abstract patterns of shapes and colors, the hallucinogenic distortions, and the bizarre juxtapositions. This is yet another example of seeing things for “what else they are.”

I think that writing too much about the background of this photo risks ruining its effect — so I won’t. I will say that it contains quite a few of the “juxtapositions” I mentioned above. Refusing to give in to temptation, that’s all I’m going to say!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.