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Annual Favorites, Commentary

2023: Favorite Photos

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It is that time again — time to share favorite photographs from the past year. I am sharing “2023: Favorite Photos,” including a dozen representative images. I think it is a diverse set, and I hope you’ll enjoy it!

Below is a single image of the full set of twelve. Subjects include the Sierra Nevada (of course!), Death Valley (also of course!), the California coast, birds in California’s Central Valley, a macro photograph, an urban landscape from Manhattan, and several photographs from our 10-week visit to (mostly) Southern Europe.

G Dan Mitchell — Twelve Favorite 2023 Photographs
G Dan Mitchell —Twelve Favorite 2023 Photographs

It is a group of 12 images chosen from among my 2023 favorites — not necessarily my “12 Best Photographs” of the year. (See the difference?) The process of winnowing the set down to a dozen left out other favorites. I like all of those photographs, but I chose these because they represent a variety of work and cover some of the main experiences, places, and subjects of 2023.

I’ll post each photo separately below, too, adding a bit of narration to each image. I hope you enjoy them!

The individual photographs follow, in no particular order, accompanied by brief descriptions. Click the photographs to display them larger. Click their titles to see and read the original posts, which include more descriptive text. You may leave comments and questions at the end of this article.

Clearing Sunset Storm, Mono Basin
“Clearing Sunset Storm, Mono Basin“

Our long visit (ten weeks!) to Europe last summer was wonderful, but I missed almost the whole summer in “my Sierra Nevada.” (I haven’t yet figured out how to be in two places at once.) But once we returned to the USA I turned my attention to the mountains and made my first visit of the (tail end of) summer in mid-September. I was on the East Side on this stormy evening when the sky and clouds above Mono Lake lit up, providing a dramatic and spectacular light show.

Monterey Cypress, Clearing Fog
“Monterey Cypress, Clearing Fog“
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Commentary, Photographs: Central California, Photographs: Nature

Wetlands, Dawn Light and Fog

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Wetlands, Dawn Light and Fog
Shallow fog diffuses the morning light in Central Valley wetlands.

Happy New Year’s Day 2024! When this post appears on January 1, I’ll be in the field to greet the literal dawn of the new year with friends, fellow photographers, and few thousand migratory birds. With luck, it may be a morning like the one in the photograph, with beautiful soft light, a bit of fog, sunrise colors, and lots of wildlife all around. I hope that your new year begins as well!

This photograph comes from dawn on a December morning when I visited wetlands. My main goal was to photograph birds, but somehow I almost always end up photographing landscapes in such places. I arrived to some of my favorite conditions: the glow of pre-dawn light, thick fog, chilly air, and the sound of thousands of birds all around me.

Note: I’m starting the new year with a few changes at my website, including the new, simplified format for posted photographs and streamlined text. Since this is something of an experiment, don’t be surprised if I continue to make changes for a while.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Black Oaks, Smoke

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Black Oaks, Smoke
Smoke from a management fire surrounds autumn black oak trees in Yosemite Valley.

Black Oaks, Smoke. © Copyright 2023 G Dan Mitchell.

Smoke from a management fire surrounds autumn black oak trees in Yosemite Valley.

Smoke drifted in and out as I photographed trees in this meadow. The light changed as beams passed through a gap in the ridge and moved across the landscape. I moved from position to position, trying to keep up with the unfolding scene. Landscape photography can be less of the sedate and quietly thoughtful experience than some assume. We work with the conditions we are given, and sometimes they are quite dynamic. Recently I shared another photograph of this same group of trees, made at almost the same time. Even disregarding the slightly different compositions, a comparison shows how much the light and haze changed between the two exposures.

How we regard fire in a place like this is a complex subject, especially for those of us who were brought up during the decades when Smoky the Bear told us that the only good fire is no fire at all. It turns out that Smoky was wrong, and too much fire suppression allowed extremely flammable undergrowth and detritus to build up, and when fire did inevitably arrive it consumed forests whole, utterly destroying them in many cases. New, enlightened policies recognize that fire is a natural part of forest ecology, and that it keeps the forest healthy. The smoke in this photograph comes from a managed fire, designed to clear out the built-up undergrowth. Yet, while I know this is a good thing, I can’t say that I enjoy working in the smoke!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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Terraced Aspen Grove

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Terraced aspen groves rise toward rocky slopes in the Eastern Sierra Nevada.

Terraced Aspen Grove. © Copyright 2023 G Dan Mitchell.

Terraced aspen groves rise toward rocky slopes in the Eastern Sierra Nevada.

This aspen photograph is as much about timing as anything else — OK, it is about the trees, too. While subject choice is certainly important, picking the right light and the time of day to find it seems equally important. Because I knew that this place would remain in shadow much later in the morning, I had it on my list to visit after photographing a different subject earlier that day.

The colors of these trees seem more interesting to me when the light is a bit subdued, so I planned to arrive here perhaps a half hour or more before the sun topped a ridge behind the grove and turned up the contrast. I found a spot with a clear view across the valley and tightly framed the trees, mostly filling the frame with them but leaving just a bit of the background slopes visible at the top.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.